Jurnal Mahasiswa Komunikasi Cantrik
https://journal.uii.ac.id/cantrik
<div> <h2>Jurnal Mahasiswa Komunikasi Cantrik</h2> <p> </p> <table class="data" width="100%" bgcolor="#f0f0f0"> <tbody> <tr valign="top"> <td width="20%">Journal title</td> <td width="80%">:<strong> Jurnal Mahasiswa Komunikasi Cantrik</strong></td> </tr> <tr valign="top"> <td width="20%">Frequency</td> <td width="80%">: <strong>2 issues per year | May & November<br /></strong></td> </tr> <tr valign="top"> <td width="20%">DOI</td> <td width="80%"><strong>: Prefix 10.20885/cantrik</strong></td> </tr> <tr valign="top"> <td width="20%">ISSN</td> <td width="80%">: <strong><a href="https://portal.issn.org/resource/ISSN/2807-2499">2807-2499 (Portal ISSN)</a> (Online)/ <a href="https://issn.brin.go.id/terbit/detail/20210811362376923" target="_blank" rel="noopener">2807-2499 (ISSN BRIN)</a> </strong></td> </tr> <tr valign="top"> <td width="20%">Publisher</td> <td width="80%">: <strong>Department of Communications</strong>, <strong>Universitas Islam Indonesia (Prodi Ilmu Komunikasi, Fakultas Psikologi Ilmu Sosial Budaya, Universitas Islam Indonesia)</strong></td> </tr> <tr valign="top"> <td width="20%">Citation Analysis</td> <td width="80%">: <strong><a href="https://scholar.google.com/citations?user=B0UgshUAAAAJ&hl=id&authuser=1" target="_blank" rel="noopener">Google Scholar</a> | <a href="https://app.dimensions.ai/discover/publication?search_mode=content&search_text=jurnal%20mahasiswa%20komunikasi%20CANTRIK&search_type=kws&search_field=full_search&and_facet_source_title=jour.1423064" target="_blank" rel="noopener">Dimension</a> | <a href="https://garuda.kemdikbud.go.id/journal/view/31941" target="_blank" rel="noopener">Garuda</a></strong></td> </tr> </tbody> </table> </div>en-US<p>Authors who publish with this journal agree to the following terms:</p> <ol type="a"> <li>Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a <a href="https://creativecommons.org/licenses/by-sa/4.0/">Creative Commons Attribution License</a> that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.</li> <li>Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.</li> <li>Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See <a href="http://opcit.eprints.org/oacitation-biblio.html" target="_new">The Effect of Open Access</a>).</li> </ol>puji.rianto@uii.ac.id (Puji Rianto)jurnal.cantrik@uii.ac.id (Journal Administrator)Sat, 31 May 2025 06:08:16 +0000OJS 3.3.0.10http://blogs.law.harvard.edu/tech/rss60Fandom dan interaksi parasosial dalam TikTok
https://journal.uii.ac.id/cantrik/article/view/37205
<p>TikTok is used by K-Pop fans in Indonesia to get the latest information about their idols. Fans even produce K-Pop content to show their favorite groups to other TikTok users. This study aims to describe the parasocial interactions carried out by K-Pop fans from four different fandoms while using TikTok as their main social media. This qualitative study applied purposive sampling and in-depth interview techniques. The findings stated that although the four informants came from different K-Pop fandoms, their processes in carrying out parasocial interactions on TikTok were quite similar, despite having different experiences. In the cognitive response classification, the highest level of parasocial interaction experienced by the four informants was the construction of persona and self relations. In the affective response, it was the empathy/counter empathy process, and in the behavioral response, through non-verbal behavior.</p>Andyra Prameswari, Sumekar Tanjung
Copyright (c) 2025 Sumekar Tanjung
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https://journal.uii.ac.id/cantrik/article/view/37205Sat, 31 May 2025 00:00:00 +0000Weverse: partisipasi penggemar dalam komunitas mobile
https://journal.uii.ac.id/cantrik/article/view/39986
<p>This study aims to illustrate how fan communities on Weverse application manifest a form of mobile community. Employing a qualitative approach with netnography methods, this research gathered data through observation and semi-structured interviews to analyze interactions and dynamics within the community. Data was collected through observation and semi-structured interviews. The findings reveal that the spatial, temporal, and contextual flexibility afforded by the mobile application allows fans to remain connected and actively participate, even under conditions of high mobility. These interactions, including communication, collaborative community activities, and content distribution, demonstrate how Weverse has become a digital space integrated into users' daily lives.</p>Shavira Arisa Pravianti
Copyright (c) 2025 Shavira Arisa Pravianti
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https://journal.uii.ac.id/cantrik/article/view/39986Sat, 31 May 2025 00:00:00 +0000Kronopoetik dan Memori: Bagaimana Media Mengkonstruksi Pengalaman Temporal Manusia?
https://journal.uii.ac.id/cantrik/article/view/40102
<p>The presence of media provides the right time point, but without realizing it, media can reveal itself as a form of extension of protection and retention technology. The voice of civilization is systematically brought into the virtual circle so that it gives rise to assumptions and illusions that can be handled through Chronopoetic analysis. Thus, sharing the characteristics of social media users with temporal time becomes an issue that deserves to be raised in scientific studies. This study aims to identify the mechanism of media in constructing human temporal time. The method used is qualitative with an interpretive paradigm. The research findings say the existence of time subjectivity in the five subjects, the concept of newness was found in the five subjects, the existence of time dilation in three subjects, and the existence of doom-scrolling in all research subjects.</p>Fajar Dwi Putra Dwipa
Copyright (c) 2025 Fajar Dwi Putra Dwipa
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https://journal.uii.ac.id/cantrik/article/view/40102Sat, 31 May 2025 00:00:00 +0000Pola Bahasa Perempuan Melawan Dominasi Laki-Laki melalui Konversasi dalam Talk Show Publik
https://journal.uii.ac.id/cantrik/article/view/39999
<p>This study aims to examine how women's language patterns challenge male dominance in conversations on the public talk show “Enaknya Jadi Laki-Laki”. The research employs the Membership Categorization Device method through conversation analysis. The findings reveal that women must first confront gender-based stereotypes before they can speak. In seeking equality, women often adopt masculine language patterns and draw upon commonly accepted cultural knowledge—actions that unintentionally, foster competition among women rather than directly challenging male dominance. It also finds that women tend to take on the role of facilitators in conversation, while men are more likely to assert their identity and self-image through denial or interruption. These dynamics reflect the complexities of gendered communication, underscoring the need for more effective language styles and structured settings in constructing gender discourse within public talk shows. This study highlights the importance of increasing female representation in media to enhance the visibility and legitimacy of women's perspectives.</p>Elly Manika Maya Mahadi
Copyright (c) 2025 Elly Manika Maya Mahadi
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https://journal.uii.ac.id/cantrik/article/view/39999Sat, 31 May 2025 00:00:00 +0000Analisis Persepsi Penggemar K-Pop terhadap Hibriditas Musik Dangdut dan K-Pop pada Acara “Dangdut K-Pop 29THER”
https://journal.uii.ac.id/cantrik/article/view/39915
<p>The Dangdut K-Pop 29THER event, organized by Indosiar in 2024, combined two distinct genres: dangdut and K-Pop. This study analyzes the perceptions of K-Pop fans in Yogyakarta regarding cultural hybridity in the event, using a descriptive qualitative method through in-depth interviews with five purposively selected respondents. The findings indicate that the respondents generally held positive perceptions, although the acceptance levels varied. Attentional and functional factors were identified as the main aspects influencing their evaluations. Three out of five respondents perceived K-Pop elements as more dominant, particularly in the musical arrangements and the limited use of typical dangdut vocal techniques such as cengkok. The costume and stage aesthetics were also considered to resemble K-Pop idols more closely. This event reflects a process of cultural negotiation within the third space, where K-Pop and dangdut elements adapt to one another, forming a new musical identity without erasing their original cultural essence, thus demonstrating the potential of hybridity in entertainment media.</p>Dinar Sajidah, Ratna Permata Sari
Copyright (c) 2025 Dinar Sajidah -, Ratna Permata Sari
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https://journal.uii.ac.id/cantrik/article/view/39915Sat, 31 May 2025 00:00:00 +0000Analisis Model VisCAP Faktor Pemilihan Jungkook Sebagai Brand Ambassador Calvin Klein 2023
https://journal.uii.ac.id/cantrik/article/view/38956
<p>The rise in popularity of South Korean culture (Korean Wave) has led many companies to use this as an effective marketing communication strategy. Brand Ambassadors play a crucial role for the fashion industry in executing marketing campaigns. In this context, many global fashion companies have utilized South Korean public figures as brand ambassadors to promote their products. This study focuses on analyzing the factors behind Calvin Klein's decision to choose Jungkook as the brand ambassador for Calvin Klein Jeans and Calvin Klein Underwear in 2023, using the VisCAP approach proposed by Rossiter and Percy. This research employs a descriptive qualitative method with data collection techniques through literature review. The results show that Jungkook meets all four characteristics listed in the VisCAP model, which positively impacts the brand he represents.</p>Reisa Salsabila, Adiasri Purbantina
Copyright (c) 2025 Reisa Salsabila, Adiasri Purbantina
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https://journal.uii.ac.id/cantrik/article/view/38956Sat, 31 May 2025 00:00:00 +0000