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Abstract
The main problem in this research is to examine the related rights for actors in theater performances as regulated in Law No. 28 of 2014 concerning copyright, as for the formulations of the problems presented, namely: First, is the formulation of Related Rights in the Copyright Law No. 28 of 2014 in accordance with the views of theater actors in Yogyakarta? Second, How is the formulation of Related Rights in the Copyright Law No. 28 of 2014 according to the future view of theater actors in Yogyakarta? This study uses the normative-empirical method, while the conclusions of this research are: First, that the related rights law rules in the Copyright Law No. 28 of 2014 is complete, Second. The views of theater performers regarding the formulation of rights law related to the future need to be regulated in more detail regarding the standardization of forms of cooperation in the creative process and forming a collective management institution that focuses on protecting theater arts.
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References
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- Santosa, Eko, Dkk. (2008). Seni Teater Jilid 1. Jakarta: Direktorat Pembinaan Sekolah Menengah Kejuruan Direktorat Jenderan Manajeman Pendidikan Dasar Dan Menengah Departemen Pendidikan Nasional.
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- Riswandi. Budi Agus. (2016). Doktrin Perlindungan Hak Cipta Di Era Digital. Yogyakarta: Fh Uii Press.
- Saidin. Ok..(2013). Aspek Hukum Hak Kekayaan Intelektual (Intellectual Property Rights). Jakarta: Rajawali Press.
- Soelistyo, Hendry. (2011). Hak Ciptatanpa Moral. Jakarta: Rajawali Pres.
- Undang-Undang Nomor 28 Tahun 2014 Tentang Hak Cipta
- Rosardi, Rukman. (22 Juli 2020). Personal Interview.
- Yuliadi, Koes. (28 Juli 2020). Personal Interview.
- Prasetiya, Agus. (28 Juli 2020). Personal Interview.
References
Ashibily. (2016). Hukum Hak Cipta Tinjauan Khusus Performing Rights Lagu Indie Berbasis Nilai Keadilan. Yogyakarta: Genta Publishing.
Santosa, Eko, Dkk. (2008). Seni Teater Jilid 1. Jakarta: Direktorat Pembinaan Sekolah Menengah Kejuruan Direktorat Jenderan Manajeman Pendidikan Dasar Dan Menengah Departemen Pendidikan Nasional.
Panca Dahana, Radhar. (2012). Teater Dalam Tiga Dunia. Jakarta. Kementerian Pendidikan Dan Kebudayaan Direktorat Jendral Kebudayaan.
Jened, Rahmi. (2014). Hukum Hak Cipta (Copyright’s Law). Bandung: Citra Aditya Bakti.
Kansil, C.S.T. (1989). Pengantar Ilmu Hukum Dan Tata Hukum Indonesia. Jakarta. Balai Pustaka.
Noer, Arifin C, Dkk. (2000). Yudiaryani. Ideologi Teater Modern Kita. Yogyakarta: Pustaka Gondho Suli.
Mertokusumo. Sudikno. (2006). Penemuan Hukum Sebuah Pengantar. Yogyakarta: Liberty.
Riswandi. Budi Agus. (2016). Doktrin Perlindungan Hak Cipta Di Era Digital. Yogyakarta: Fh Uii Press.
Saidin. Ok..(2013). Aspek Hukum Hak Kekayaan Intelektual (Intellectual Property Rights). Jakarta: Rajawali Press.
Soelistyo, Hendry. (2011). Hak Ciptatanpa Moral. Jakarta: Rajawali Pres.
Undang-Undang Nomor 28 Tahun 2014 Tentang Hak Cipta
Rosardi, Rukman. (22 Juli 2020). Personal Interview.
Yuliadi, Koes. (28 Juli 2020). Personal Interview.
Prasetiya, Agus. (28 Juli 2020). Personal Interview.