Main Article Content
Abstract
This study demonstrates that several key elements, including economic development, art and cultural engagement, participatory stakeholder involvement, and collaborative management, intersect with the concept of creative placemaking. This intersection suggests that, as the creative placemaking process impacts a wide array of interests, the reinforcement of creativity has, in some cases, diminished the recognition of its foundational contributions. The aim of this study is to explore how innovative placemaking can support regenerative strategy in development within a specific or thematic context, such as historical or protected sites. This research focuses on innovative placemaking strategies as essential components of notable socio-spatial concepts in specific geographies, including their unique natural features. To achieve this, a systematic literature review was conducted, examining creative placemaking research from around the world across all times. The review followed the PRISMA 2020 guidelines and utilized three major academic databases: Scopus, Web of Science (WOS), and Science Direct. Through the process, five key thematic areas of creative placemaking were identified: (1) Cultural well-being, (2) Income generation, (3) Sectoral inclusion, (4) Art and creative endeavours, and (5) Context-specific settings. The primary aim of this study is to address a gap in the literature on creative placemaking, particularly in specialized or themed contexts, contributing to a more profound understanding of its role on contributed dimension in regenerative strategy.
Keywords
Article Details
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Grandison, T., Flint, T., & Jamieson, K. (2023). Participatory polyvocal performative and playful interpreting Resnik’s 4 for creative placemaking with digital tools. In Digital Approaches to Inclusion and Participation in Cultural Heritage (p. 114). Routledge.
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Hoeven, A. van der, & Hitters, E. (2020). The spatial value of live music: Performing, (re)developing and narrating urban spaces. Geoforum, 117(September), 154–164. https://doi.org/10.1016/j.geoforum.2020.09.016
Khonsari, T. (2019). Temporary spatial object/architecture as a typology for placemaking. In C. Courage & A. McKeown (Eds.), CREATIVE PLACEMAKING: RESEARCH, THEORY AND PRACTICE.
Kiroff, L. (2020). Nexus between creative industries and the built environment: Creative placemaking in inner Auckland. Frontiers of Architectural Research, 9(1), 119–137. https://doi.org/10.1016/j.foar.2019.08.004
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Li, X., & Duan, B. (2018). Organizational microblogging for event marketing: a new approach to creative placemaking. International Journal of Urban Sciences, 22(1), 59–79. https://doi.org/10.1080/12265934.2017.1343155
Loh, C. G., Ashley, A. J., Kim, R., Durham, L., & Bubb, K. (2022). Placemaking in Practice: Municipal Arts and Cultural Plans’ Approaches to Placemaking and Creative Placemaking. Journal of Planning Education and Research. https://doi.org/10.1177/0739456X221100503
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Mengi, O. (2020). Creative placemaking revisited: exploring major drivers for the practice of making and co-creation. INTERNATIONAL JOURNAL OF KNOWLEDGE-BASED DEVELOPMENT, 11(3), 220–243.
Mohamed Shaffril, H. A., Samsuddin, S. F., & Abu Samah, A. (2021). The ABC of systematic literature review: the basic methodological guidance for beginners. Quality and Quantity, 55(4), 1319–1346. https://doi.org/10.1007/s11135-020-01059-6
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Mutero, I. T., & Govender, I. G. (2020). Advancing the Exploration of Engaged Creative-Placemaking Amongst Universities and Communities for Social Cohesion in South Africa. Journal of Asian and African Studies, 55(3), 429–445. https://doi.org/10.1177/0021909619882718
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