Main Article Content

Abstract

This research explores the preservation of decorative motifs in the Bandung Grand Mosque through digitization as an effort to safeguard Islamic and Sundanese cultural heritage. Although the mosque has been widely discussed in architectural studies, systematic documentation of its ornaments is still limited. This study addresses that gap by digitizing geometric motifs and analyzing their structural complexity. A qualitative approach with a comparative strategy was applied, involving literature review, field observation, and digitization using CorelDRAW software. The findings show that geometric ornamentation dominates the mosque with varying levels of complexity depending on its line intersections and the number of geometric repetitions or tessellations. The study produces a publicly accessible digital catalog that preserves the accuracy of ornamental forms and supports their reuse in education, design, and cultural conservation. The results demonstrate that digitization is an effective method for documenting traditional ornaments while opening new possibilities for contemporary motif development.

Keywords

bandung cultural preservation digitization grand mosque ornament outlines

Article Details

How to Cite
Putri, G. N., & Atik, S. K. (2026). Digitizing Geometric Ornaments of the Bandung Grand Mosque for Cultural Preservation. Journal of Architectural Research and Design Studies, 10(1), 101–126. https://doi.org/10.20885/jars.vol10.iss1.art8

References

  1. Andeska, N., Ghifari, M. (2022) Digitalisasi ornamen Aceh: Studi kasus Museum Cut Nyak Dhien. DESKOVI : Art and Design Journal, 5(2), 140-144. doi:10.51804/deskovi.v5i2.1891
  2. Asri, S.P. (2024). The history of heritage mosques in Bandung City (case study: Grand Mosque of Bandung). EPRA International Journal of Multidisciplinary Research, 10(8), 891-894. doi:10.36713/epra2013
  3. Audsley, W., & Audsley, G. (1881). Outlines of ornament in the leading styles [Google Play Books version]. Retrieved from https://play.google.com/books/reader?id=CqO_Yr4MdNkC&hl=en
  4. Basiroen, V.J., Manuaba, I.B.K. (2025). Batik Lasem motifs dataset: Gunung Ringgit, Kricak, Latohan, Nyuk Pitu, Seritan. Data in Brief, 61(1), 111866. doi: 10.1016/j.dib.2025.111866
  5. Bonner, J., Kaplan, C. (2017). Islamic geometric patterns: their historical development and traditional methods of construction. New York, US: Springer.
  6. Bordbari, F., Khoshnazar, R.K., Kakaie, G.K. (2018). Symbolism in sacred art from the perspective of traditional Islamic architecture relying on the opinions of Titus Burckhardt. Journal of Architectural Thought, 2(3), 1-14. doi: 20.1001.1.25383019.1397.2.3.1.9
  7. Burckhardt, T. (2009). The Art of Islam: Language and Meaning. Bloomington, IN, US: World Wisdom.
  8. Deligiorgi, M., Maslioukova, M. I., Averkiou, M., Andreou, A.C., Selvaraju, P., Kalogerakis, E., Patow, G., Chrysanthou, Y., & Artopoulos, G. (2021). A 3D digitisation workflow for architecture-specific annotation of built heritage. Journal of Archaeological Science: Reports, 37(1), 1-11. doi:10.1016/j.jasrep.2020.102787
  9. Destiarmand, A.H., Santosa, I. (2017). Karakteristik bentuk dan fungsi ragam hias pada arsitektur Masjid Agung Kota Bandung. Jurnal Sosioteknologi, 16(3), 95–107. doi: 10.5614/sostek.itbj.2017.16.3.1
  10. Edward, B.R.W., Savitri, M.A., Morika, D., Gabriella, I. (2022). Pengaplikasian modul ‘ATUMICS’ pada bidang desain industri furnitur rotan di Cirebon. Productum: Jurnal Desain Produk (Pengetahuan dan Perancangan Produk), 5(1), 25-36. doi: 10.24821/productum.v5i1.4297
  11. Eldien, H.H. (2025). Evaluation of the influence of Mihrab shape on sound quality in Mosques. Journal of Engineering Research, 13(3), 2293–2307. doi: 10.1016/j.jer.2024.06.002
  12. Gondoputranto, O., Dibia I.W. (2022). The use of technology in capturing various traditional motifs and ornaments: A case of Batik Fractal, Indonesia and TUDITA-Turkish digital textile archive. Humaniora, 12(1), 39-48. doi:10.21512/humaniora.v13i1.7408
  13. Güzelci, O.K., Alaçam, S., Bekiroğlu, B., Karadag, I. (2024). A machine learning-based prediction model for architectural heritage: The case of domed Sinan mosques. Digital Applications in Archaeology and Cultural Heritage, 35(1), e00370. doi: 10.1016/j.daach.2024.e00370
  14. Hanan, H., Suwardhi, D., Nurhasanah, T., Bukit, E.S. (2015). Batak Toba Cultural Heritage and Close-range Photogrammetry. Procedia: Social and Behavioral Sciences, 184(1), 187 – 195. doi: 10.1016/j.sbspro.2015.05.079
  15. Hartanti, W. (2017). Pasar seni dan industri kreatif di kota bandung. Yogyakarta, Indonesia: Universitas Atma Jaya Yogyakarta.
  16. Hassan, H.K., Fazli, M.F. (2024). The Majesty of Islamic Art and Architecture. Ghaziabad, IN: Copal.
  17. Hendriyana, H. (2019). Rupa dasar nirmana: Asas dan prinsip dasar seni visual. Yogyakarta, ID: ANDI.
  18. Jamaleddine, Z. (2024). Drawing the Isolated Mosque. Journal of Material Cultures in the Muslim World, 4(2), 199-209. doi: 10.1163/26666286-12340046
  19. Kartika, N., Piliang, Y. A., Santosa, I., & Dienaputra, R. D. (2020). The visual arts of Masjid Agung Sang Cipta Rasa Cirebon: Hybrid culture identity. Harmonia: Journal of Arts Research and Education, 20(1), 95–107. doi: 10.15294/harmonia.v20i1.17525
  20. Mesra, M., Kartono, G., & Ibrahim, A. (2022). Penerapan ornamen tradisional Sumatera Utara pada toples makanan sebagai sarana revitalisasi. Gorga: Jurnal Seni Rupa, 11(1), 81–88. doi: 10.24114/gr.v11i1.33639
  21. Putri, G. N. (2016). Pemanfaatan cap batik Tali Air untuk perancangan motif arabesque geometris. Bandung, Indonesia: Institut Teknologi Bandung.
  22. Putri, G. N., Sunarya, Y.Y., Destiarmand, A.H. (2018). Utilization of ‘tali air’ batik stamp in empowering creative resource in Bandung. Jurnal Sosioteknologi, 17(1), 104-115. doi: 10.5614/sostek.itbj.2018.17.1.10
  23. Rustandi, E.H., Wijaya, K., Setiady, R. (2019). Great Mosque Bandung As A Landmark Of Bandung City. Indonesian Journal of Built Environmental & Sustainability, 1(1), 34-40. doi:10.31848/ijobes.v1i1.249
  24. Schibille, N., Lehuédé, P., Biron, I., Brunswic, L., Blondeau, É., Gratuze, B. (2022). Origins and manufacture of the glass mosaic tesserae from the great Umayyad Mosque in Damascus. Journal of Archaeological Science, 147(1), 105675. doi: 10.1016/j.jas.2022.105675
  25. Senoprabowo, A., Prabowo, D.P., & Khamadi, K. (2022). Digital fashion graphic berdasarkan inovasi ornamen Kala. Journal of SEMNASTEKMU, 2022, 2(2), 367–378. doi: 10.51903/semnastekmu.v2i1.190
  26. Sunarya, Y.Y. (2018). Adaptasi Unsur Estetik Sunda pada Wujud Ragam Hias Batik Sunda. Journal of Visual Art and Design, 10(1), 27-51. doi: 10.5614/j.vad.2018.10.1.3
  27. Susanto, S.K.S. (2018). Seni batik Indonesia. Yogyakarta, ID: ANDI.
  28. Sutton, D. (2018). Islamic design: a genius for geometry [Google Play Books version]. Retrieved from https://play.google.com/books/reader?id=BNNHEAAAQBAJ&pg=GBS.PP1
  29. Widyaevan, D.A. (2015). The Change of Public Perception towards Alun-Alun Bandung as a City Center. Procedia: Social and Behavioral Sciences, 184(1), 135-143. doi: 10.1016/j.sbspro.2015.05.072
  30. Zeng, Q., Lee, M., & Eune, J. (2023). Digital design method of cultural heritage using ancient Egyptian theological totem. Heliyon, 9(5), e15960. doi: 10.1016/j.heliyon.2023.e15960