Main Article Content
Abstract
This research aims to examine the implementation of royalty payments for songs in live performance to songwriters at the Kopi Roemah Kesambi cafe, Cirebon City, towards Law Number 28 of 2014 concerning Copyright and Government Regulation Number 56 of 2021 concerning Management of Royalties Copyright Song or Music and legal effort that the author may take against songs performed in musical performances without permission. This research belongs to the type of empirical research where the authors obtain research data from direct interviews with the Coffee Roemah Kesambi cafe, Cirebon City. The analysis in the study was carried out by qualitative analysis. The results of the research explain that the live music held at the Roemah Kesambi Coffee Cafe, Cirebon City has taken permission of a license permit before the live music is carried out, and the calculation of royalties that must be paid by the cafe to LMK is done by taking 3% of sales revenue on the day the live music is held. The legal effort that can be taken by the creator if there is a violation of using songs in live music without permission, namely, Alternative Dispute Resolution (ADR), Civil Lawsuits as regulated in Article 97 paragraph (1) of Law Number 28 of 2014, and Criminal charges are regulated in Article 113 paragraph (1), paragraph (2) and paragraph (3) of Law Number 28 of 2014.
Keywords
Article Details
The works in this journal are openly licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (CC BY-SA 4.0).
This license grants readers the freedom to:
-
Share — copy and redistribute the material in any medium or format
-
Adapt — remix, transform, and build upon the material for any purpose, even commercially under the following conditions:
-
Attribution
Readers must give appropriate credit to the original author(s) and JIPRO, provide a link to the CC BY-SA 4.0 license (https://creativecommons.org/licenses/by-sa/4.0/), and indicate if changes were made. Such credit must not imply endorsement by the licensor. -
ShareAlike
If readers remix, transform, or build upon the material, they must distribute their contributions under the same CC BY-SA 4.0 license. -
No Additional Restrictions
Readers may not apply legal terms or technological measures that legally restrict others from exercising the rights granted by the license.
References
- Dharmawan, N. K. (2016). Hak Atas Kekayaan Intelektual (HKI). Yogyakarta: Deepbulish.
- Harahap, M. Y. (2003). Arbitrase. Jakarta: Sinar Grafika.
- Hardani, N. H. (2020). Metode Penelitian Kualitatif & Kuantitatif. Yogyakarta: Pustaka Ilmu.
- I Gusti Ngurah Bayu Pradana, N. K. (2021). Peranan Lembaga Manajemen Kolektif Atas Pembayaran Royalti Cover Lagu Di Youtube. Jurnal Kertha Negara, Vol. 9 No. 4 , 250.
- Indonesia, C. (2022, Mei 1). Langgar Hak Cipta Lagu Syantik, Gen Halilintar Harus Bayar Rp300 Juta. Retrieved from CNN Indonesia: https://www.cnnindonesia.com/ nasional/20211223210427-12- 738041/langgar-hak-cipta-lagu- syantik-gen-halilintar-harus- bayar-rp300-juta
- Intelektual, D. J. (2021, Agustus 30). PP Nomor 56 Tahun 2021 Atur Royalti Lagu Musik Analog Sampai Digital. Retrieved from Direktorat Jenderal Kekayaan Intelektual: https://dgip.go.id/index.php/arti kel/detail-artikel/pp-nomor-56- tahun-2021-atur-royalti-lagu- musik-analog-sampai- digital?kategori=pengumuman
- Kemenkumham, D. (2022, Mei 1). DJKI Bantu Mediasi Sengketa Lagu Payung Hitam Berakhir Damai. Retrieved from DJKI: https://dgip.go.id/artikel/detail- artikel/djki-bantu-mediasi- sengketa-lagu-payung-hitam- berakhir- damai?kategori=Berita%20Res mi%20Desain%20Industri
- Naim, F. (2018). Kriteria Pembatasan Hak Cipta Lagu Dalam Praktik Covering Melalui Youtube. Yogyakarta: Skripsi Universitas Islam Indonesia.
- Permatasari, E. (2021, Agustus 30). Haruskah Restoran Bayar Royalti Jika Putar Lagu Orang Lain? Retrieved from hukumonline: https://www.hukumonline.com/ klinik/detail/ulasan/lt5539b37fd 20f8/haruskah-restoran-bayar- royalti-jika-putar-lagu-orang- lain/
- Ray. (2021, Oktober 14). Setel Lagu di Tempat Usaha Kena Royalti, Apa Kata Musisi dan Empunya Ritel?, . Retrieved from Asumsi: https://asumsi.co/post/5522/setel -lagu-di-tempat-usaha-kena- royalti-apa-kata-musisi-dan- empunya-ritel
- Septiana, K. I. (2019). Perlindungan Hukum Terhadap Pencipta Lagu Yang Lagunya Dinyanyikan Tanpa Ijin Berdasarkan Undang Undang Hak Cipta. Jurnal Ilmiah Ilmu Hukum Kertha Semaya, Vol.07 No.02, Fakultas Hukum Universitas Udayana, 7.
- Tambunan, J. R. (2022, Oktober 14). Musisi Keluhkan Tarif Royalti Musik Di Tanah Air Yang Rendah, Sebut Indonesia di Bawah Singapura. Retrieved from Portal Jember: https://portaljember.pikiran- rakyat.com/nasional/pr- 162567280/musisi-keluhkan- tarif-royalti-musik-di-tanah-air- yang-rendah-sebut-indonesia-di- bawah-singapura?page=2, tanggal 14 Oktober 2022, pukul 20.58 WIB.
- Yasa, A. H. (2019). Upaya Hukum Penyelesaian Sengketa Karya Cipta Musik. Jurnal Ilmiah Ilmu Hukum Kertha Semaya, Vol.04 No.03, Fakultas Hukum Universitas Udayana, 10.
References
Dharmawan, N. K. (2016). Hak Atas Kekayaan Intelektual (HKI). Yogyakarta: Deepbulish.
Harahap, M. Y. (2003). Arbitrase. Jakarta: Sinar Grafika.
Hardani, N. H. (2020). Metode Penelitian Kualitatif & Kuantitatif. Yogyakarta: Pustaka Ilmu.
I Gusti Ngurah Bayu Pradana, N. K. (2021). Peranan Lembaga Manajemen Kolektif Atas Pembayaran Royalti Cover Lagu Di Youtube. Jurnal Kertha Negara, Vol. 9 No. 4 , 250.
Indonesia, C. (2022, Mei 1). Langgar Hak Cipta Lagu Syantik, Gen Halilintar Harus Bayar Rp300 Juta. Retrieved from CNN Indonesia: https://www.cnnindonesia.com/ nasional/20211223210427-12- 738041/langgar-hak-cipta-lagu- syantik-gen-halilintar-harus- bayar-rp300-juta
Intelektual, D. J. (2021, Agustus 30). PP Nomor 56 Tahun 2021 Atur Royalti Lagu Musik Analog Sampai Digital. Retrieved from Direktorat Jenderal Kekayaan Intelektual: https://dgip.go.id/index.php/arti kel/detail-artikel/pp-nomor-56- tahun-2021-atur-royalti-lagu- musik-analog-sampai- digital?kategori=pengumuman
Kemenkumham, D. (2022, Mei 1). DJKI Bantu Mediasi Sengketa Lagu Payung Hitam Berakhir Damai. Retrieved from DJKI: https://dgip.go.id/artikel/detail- artikel/djki-bantu-mediasi- sengketa-lagu-payung-hitam- berakhir- damai?kategori=Berita%20Res mi%20Desain%20Industri
Naim, F. (2018). Kriteria Pembatasan Hak Cipta Lagu Dalam Praktik Covering Melalui Youtube. Yogyakarta: Skripsi Universitas Islam Indonesia.
Permatasari, E. (2021, Agustus 30). Haruskah Restoran Bayar Royalti Jika Putar Lagu Orang Lain? Retrieved from hukumonline: https://www.hukumonline.com/ klinik/detail/ulasan/lt5539b37fd 20f8/haruskah-restoran-bayar- royalti-jika-putar-lagu-orang- lain/
Ray. (2021, Oktober 14). Setel Lagu di Tempat Usaha Kena Royalti, Apa Kata Musisi dan Empunya Ritel?, . Retrieved from Asumsi: https://asumsi.co/post/5522/setel -lagu-di-tempat-usaha-kena- royalti-apa-kata-musisi-dan- empunya-ritel
Septiana, K. I. (2019). Perlindungan Hukum Terhadap Pencipta Lagu Yang Lagunya Dinyanyikan Tanpa Ijin Berdasarkan Undang Undang Hak Cipta. Jurnal Ilmiah Ilmu Hukum Kertha Semaya, Vol.07 No.02, Fakultas Hukum Universitas Udayana, 7.
Tambunan, J. R. (2022, Oktober 14). Musisi Keluhkan Tarif Royalti Musik Di Tanah Air Yang Rendah, Sebut Indonesia di Bawah Singapura. Retrieved from Portal Jember: https://portaljember.pikiran- rakyat.com/nasional/pr- 162567280/musisi-keluhkan- tarif-royalti-musik-di-tanah-air- yang-rendah-sebut-indonesia-di- bawah-singapura?page=2, tanggal 14 Oktober 2022, pukul 20.58 WIB.
Yasa, A. H. (2019). Upaya Hukum Penyelesaian Sengketa Karya Cipta Musik. Jurnal Ilmiah Ilmu Hukum Kertha Semaya, Vol.04 No.03, Fakultas Hukum Universitas Udayana, 10.
