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Abstract
This study aims to address two legal issues: First, the weaknesses in the Copyright Law and its implementing regulations regarding the application of direct licensing—particularly for performing rights—with a focus on the subjects, licensing system, and the role of Collective Management Organizations (LMK) and the National Collective Management Organization (LMKN). Second, efforts to harmonize the regulation of direct and collective licensing in Indonesia by comparing the legal frameworks for direct licensing in the United States and Australia. This is a normative legal study that relies on secondary data and employs qualitative analysis. The findings reveal that the regulatory weaknesses in Indonesia concerning direct licensing include the unclear identification of royalty recipients, the absence of a recognized licensing system, and the provisions governing LMKN and LMK under the Government Regulation on Royalties (PP Royalti), which effectively nullify the right to direct licensing as stipulated in the Copyright Law. This study proposes several recommendations for harmonizing the regulation of direct and collective licensing in Indonesia: First, clarifying the legal subjects entitled to royalties in the Copyright Law by clearly defining the terms “any person” and “user.” Second, harmonizing relevant regulations, particularly Government Regulation No. 56 of 2021. Third, improving the role of LMKN either as a regulator and mediator or by delegating its implementation to the Directorate General of Intellectual Property (DJKI).
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Copyright (c) 2025 Sheila Noor Baity, Catur Septiana Rakhmawati

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References
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- Brabec, Todd. “The Performance Right—A World in Transition.” Mitchell Hamline Law Review 42, no. 1 (2016): Article 7. https://open.mitchellhamline.edu/mhlr/vol42/iss1/7.
- BROADCAST MUSIC INC. “Writer Application 3,” 2014. http://www.bmi.com/forms/affiliation/bmi_writer_kit.pdf.
- Depoorter, Ben, and Francesco Parisi. “Fair Use and Copyright Protection: A Price Theory Explanation.” International Review of Law and Economics 21, no. 4 (2002): 453–73. https://doi.org/10.1016/S0144-8188(01)00071-0.
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- Fattah, Ade Syaifullah, and Ridha Wahyuni. “Implementation of ‘Direct vs Indirect License’: A Comparative Study of Music Licensing Systems between Indonesia and the United States of America.” Law Development Journal 7, no. 2 (2025).
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- Lange, David. “Recognizing the Public Domain.” Law and Contemporary Problems 44, no. 4 (2013): 147–78.
- Lenard, Thomas M, and Lawrence J White. “Moving Music Licensing into the Digital Era: More Competition and Less Regulation.” UCLA Entertainment Law Review 23, no. 1 (2016).
- Nainggolan, B. Pemberdayaan Hukum Hak Cipta Lagu Atau Musik Melalui Fungsi Lembaga Manajemen Kolektif, 2011.
- Palar, Miranda Risang Ayu, Laina Rafianti, Wina Puspitasari, and Isti Novianti. “Centralized Management of Copyright Royalties: A Case Study on the National Collective Management Organization for Songs and Music in Indonesia.” The Journal of World Intellectual Property, 2024. https://doi.org/10.1111/jwip.12320.
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- Suwadi, Pujiyono, Andi Chaerul Sofyan, and Rifqi Setia Ramdhani. “Legal Comparison Between National Collective Management Institutions in Indonesia and United States.” Revista De Gestão – RGSA 18, no. 4 (2024): e04572. https://doi.org/10.24857/rgsa.v18n4-015.
- U.S. Copyright Office. “Issues Related to Performing Rights Organizations.” Federal Register, February 2025. https://www.govinfo.gov/content/pkg/FR-2025-02-10/pdf/2025-02381.pdf.
- WartaKota (Tribunnews). “Baru Tau Bisa Direct License, Ahmad Dhani Langsung Minta Once Bayar Rp 10 Juta per Lagu,” n.d. https://wartakota.tribunnews.com/2025/03/21/baru-tau-bisa-direct-license-ahmad-dhani-langsung-minta-once-bayar-rp-10-juta-per-lagu.
- World Intellectual Property Organization. Collective Management of Copyright and Related Rights. Geneva: WIPO, 2022.
- World Intellectual Property Organization (WIPO). Understanding Copyright and Related Rights. Geneva: WIPO, 2016.
- Yanto, O. “Konvensi Bern Dan Perlindungan Hak Cipta.” Surya Kencana Satu 6, no. 1 (2016). https://doi.org/10.32493/jdmhkdmhk.v6i1.341.
- Yulia, Y, Z A Zainol, and F Fatahillah. “Protection of Performers’ Rights in Indonesian Copyright Law: Copyrighted Works Uploaded to YouTube.” Sriwijaya Law Review 7, no. 2 (2023): 300–317. https://doi.org/10.28946/slrev.vol7.iss2.1092.pp300-317.
References
Amanda, Nauva et al. “Direct Licensing Sebagai Mekanisme Alternatif Dalam Pembayaran Royalti Karya Cipta.” Causa: Jurnal Hukum Dan Kewarganegaraan 13, no. 9 (2025): 1–10. https://doi.org/10.6679/05www213.
Ananda Salba Siregar, Marcellino. “PERLINDUNGAN HUKUM TERHADAP PEMENUHAN HAK ROYALTI BAGI PENCIPTA LAGU ATAU MUSIK NON ANGGOTA LEMBAGA MANAJEMEN KOLEKTIF,” August 27, 2024.
Brabec, Todd. “The Performance Right—A World in Transition.” Mitchell Hamline Law Review 42, no. 1 (2016): Article 7. https://open.mitchellhamline.edu/mhlr/vol42/iss1/7.
BROADCAST MUSIC INC. “Writer Application 3,” 2014. http://www.bmi.com/forms/affiliation/bmi_writer_kit.pdf.
Depoorter, Ben, and Francesco Parisi. “Fair Use and Copyright Protection: A Price Theory Explanation.” International Review of Law and Economics 21, no. 4 (2002): 453–73. https://doi.org/10.1016/S0144-8188(01)00071-0.
Detik.com. “WAMI Update Pembayaran Royalti Periode Kedua Juli 2025, Tembus Rp 47 Miliar.” Detik POP Music, n.d. https://www.detik.com/pop/music/d-8018166/wami-update-pembayaran-royalti-periode-2-tembus-rp-47-miliar.
Direktorat Jenderal Pajak. “Begini Pajak Royalti Menyanyikan Lagu Orang,” 2024. https://pajak.go.id/id/artikel/begini-pajak-royalti-menyanyikan-lagu-orang.
Fattah, Ade Syaifullah, and Ridha Wahyuni. “Implementation of ‘Direct vs Indirect License’: A Comparative Study of Music Licensing Systems between Indonesia and the United States of America.” Law Development Journal 7, no. 2 (2025).
Hadi, Prasetyo, and Purwandoko ; M Najib Imanullah. “Application of The Natural Law Theory” 6, no. 1 (n.d.).
iMusician.pro. “U.S. Government Inspects Performance Rights Organizations Over Copyright Concerns,” February 2025.
Lange, David. “Recognizing the Public Domain.” Law and Contemporary Problems 44, no. 4 (2013): 147–78.
Lenard, Thomas M, and Lawrence J White. “Moving Music Licensing into the Digital Era: More Competition and Less Regulation.” UCLA Entertainment Law Review 23, no. 1 (2016).
Nainggolan, B. Pemberdayaan Hukum Hak Cipta Lagu Atau Musik Melalui Fungsi Lembaga Manajemen Kolektif, 2011.
Palar, Miranda Risang Ayu, Laina Rafianti, Wina Puspitasari, and Isti Novianti. “Centralized Management of Copyright Royalties: A Case Study on the National Collective Management Organization for Songs and Music in Indonesia.” The Journal of World Intellectual Property, 2024. https://doi.org/10.1111/jwip.12320.
Pitt, Ivan L. “Direct Licensing and the Music Industry: How Technology, Innovation and Competition Reshaped Copyright Licensing.” Direct Licensing and the Music Industry: How Technology, Innovation and Competition Reshaped Copyright Licensing, January 1, 2015, 1–293. https://doi.org/10.1007/978-3-319-17653-6/COVER.
Rantung, Revi C. “Dukungan Untuk Pencipta Lagu, 4 Penyanyi Ini Terapkan Direct License.” Kompas, March 2025. https://www.kompas.com/hype/read/2025/03/05/091727966/dukungan-untuk-pencipta-lagu-4-penyanyi-ini-terapkan-direct-license?page=all.
Samatha, Dhani, and Wilma Silalahi. “Analisis Tanggung Jawab Penyelenggara Konser Terhadap Izin Penggunaan Lagu Dan Pembayaran Royalti Dalam Konser Musik Di Indonesia | Jurnal Tana Mana.” Accessed October 27, 2025. https://doi.org/https://doi.org/10.33648/jtm.v6i1.1011.
Spotify. “Warner Music Group and Spotify Announce a New Multi-Year Agreement,” n.d. https://newsroom.spotify.com/2025-02-06/warner-music-group-spotify-agreement/.
Suwadi, Pujiyono, Andi Chaerul Sofyan, and Rifqi Setia Ramdhani. “Legal Comparison Between National Collective Management Institutions in Indonesia and United States.” Revista De Gestão – RGSA 18, no. 4 (2024): e04572. https://doi.org/10.24857/rgsa.v18n4-015.
U.S. Copyright Office. “Issues Related to Performing Rights Organizations.” Federal Register, February 2025. https://www.govinfo.gov/content/pkg/FR-2025-02-10/pdf/2025-02381.pdf.
WartaKota (Tribunnews). “Baru Tau Bisa Direct License, Ahmad Dhani Langsung Minta Once Bayar Rp 10 Juta per Lagu,” n.d. https://wartakota.tribunnews.com/2025/03/21/baru-tau-bisa-direct-license-ahmad-dhani-langsung-minta-once-bayar-rp-10-juta-per-lagu.
World Intellectual Property Organization. Collective Management of Copyright and Related Rights. Geneva: WIPO, 2022.
World Intellectual Property Organization (WIPO). Understanding Copyright and Related Rights. Geneva: WIPO, 2016.
Yanto, O. “Konvensi Bern Dan Perlindungan Hak Cipta.” Surya Kencana Satu 6, no. 1 (2016). https://doi.org/10.32493/jdmhkdmhk.v6i1.341.
Yulia, Y, Z A Zainol, and F Fatahillah. “Protection of Performers’ Rights in Indonesian Copyright Law: Copyrighted Works Uploaded to YouTube.” Sriwijaya Law Review 7, no. 2 (2023): 300–317. https://doi.org/10.28946/slrev.vol7.iss2.1092.pp300-317.
