Main Article Content
Abstract
Abstract. Legal protection is not just about statutory protection to the legal rights of the legal subjects, but also including other sources of law such as agreements. Agreements provide regulations for the parties in a legal relationship and binding them like a law. The End-User License Agreement (EULA) is an example of a written standard license agreement, considering that the clauses/ provisions within it are generally determined by the licensor only. At the same time, EULA seeks to protect certain legal rights, namely copyright of the Font owned by the creator/ licensor. That raises the paradigm of whether the EULA accommodates the interests of the licensee/ Font user and whether it fullfils the aspect of the consensus. This study aims to describe the position of the EULA in the protection of Font copyright through Font creator’s website (digital platform). This study is normative research using conceptual and statute approach. The results of this study are that the EULA positions as a self-regulation; as a form of preventive legal protection; as a law between the parties; and as a permit from copyright holder to recipient of the economic rights of the Font work.
Keywords : Position, EULA, Protection, Copyright
Abstrak. Perlindungan hukum tidak sebatas pada perlindungan dari undang-undang terhadap hak hukum dari subjek hukum, namun juga dari sumber hukum yang lain seperti perjanjian. Perjanjian memberi pengaturan bagi para pihak dalam hubungan hukum dan mengikat selayaknya undang-undang bagi para pihak. End-User License Agreement (EULA) adalah contoh perjanjian lisensi tertulis yang bersifat baku mengingat klausul/ ketentuan di dalamnya umumnya ditentukan sepihak oleh pemberi lisensi, sementara ada hak hukum yang berusaha dilindungi EULA yakni Hak Cipta atas Font milik kreator/ pemberi lisensi. Hal itu seringkali menimbulkan paradigma bahwa apakah EULA mengakomodir kepentingan penerima lisensi ataupun apakah EULA memenuhi unsur kesepakatan. Penelitian ini bertujuan mendeskripsikan tentang kedudukan EULA dalam perlindungan Hak Cipta atas Font di website milik kreator Font. Penelitian ini merupakan penelitian normatif dengan pendekatan konseptual dan perundang-undangan. Hasil penelitian ini ialah EULA bekedudukan sebagai self-regulation; sebagai bentuk perlindungan hukum preventif; sebagai undang-undang bagi para pihak; dan sebagai izin dari pemegang Hak Cipta kepada penerima hak ekonomi atas karya Font.
Keywords
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References
Adobe. “Glyphs and Special Characters,” 2021. https://helpx.adobe.com/incopy/using/glyphs-specialcharacters.html#:~:text=A glyph is a specific,as swash and small cap.
Afsharipour, Gholamreza. “The Nature And Characteristic Of The License Agreement And Its Compatibility With Certain Contracs In Civil Law.” Mediterranean Journal of Social Sciences 7, no. 4 (2016): 106. https://doi.org/10.5901/mjss.2016.v7n4s1p105.
Asrofi, Muchtar Hasan. “Perlindungan Hukum Hak Ekonomi Pencipta Atas Karya Font Di Platform Digital.” Journal of Intellectual Property (JIPRO) 8, no. 1 (2025): 61–85. https://journal.uii.ac.id/JIPRO/article/view/40627/18520.
Bainbridge, David I. Intellectual Property. Eighth. Gosport: Ashford Colour Press, 2010.
Barkatullah, Abdul Halim, and Djumadi. “Does Self-Regulation Provide Legal Protection and Security to e-Commerce Consumers?” Electronic Commerce Research and Applications 30 (2018): 99. https://doi.org/10.1016/j.elerap.2018.05.008.
Bediona, Kornelis Antonius Ada, Muhamad Rafly Falah Herliansyah, Randi Hilman Nurjaman, and Dzulfikri Syarifuddin. “Analisis Teori Perlindungan Hukum Menurut Philipus M Hadjon Dalam Kaitannya Dengan Pemberian Hukuman Kebiri Terhadap Pelaku Kejahatan Seksual.” Das Sollen: Jurnal Kajian Kontemporer Hukum Dan Masyarakat 2, no. 01 (2024): 14. https://doi.org/10.11111/dassollen.xxxxxxx.
Buyukpehlivan, Gulhan A. “The Importance and Use of Typography in Print and Digital Design.” Motif Akademi Halkbilimi Dergisi 17 (2024): 2407–8. https://dergipark.org.tr/en/pub/mahder/issue/88832/1526320
Dafont. “Swirly Canalope,” n.d. https://www.dafont.com/swirly-canalope.font.
———. “Vanilla Whale,” n.d. https://www.dafont.com/vanilla-whale.font.
Davis, Trisha L., and John J. Reilly. “Understanding License Agreement For Electronic Products.” The Serials Librarian (The Haworth Press) 34, no. 1 (1998): 248. https://doi.org/10.4324/9781003249276-44.
Dictionary, Black’s Law. “License,” n.d. https://thelawdictionary.org/license/. Dictionary, Cambridge. “Self-Policing,” 2025. https://dictionary.cambridge.org/dictionary/english/self-policing.
Tomas Reznik, et al. “Improving The Documentation and Findability of Data Services and Repositories: A Review of (Meta)Data Management Approaches.” Computers and Geosciences 169 (2022): 3. https://www.sciencedirect.com/science/article/pii/S0098300422001479.
Floridi, Luciano. “The End of an Era: From Self-Regulation to Hard Law for the Digital Industry.” Philosophy and Technology 34, no. 4 (2021): 620. https://doi.org/10.1007/s13347-021-00493-0.
Garner, Bryan A. Black’s Law Dictionary: 6th Edition. West Publishing Co, 1990.
Hiariej, Zainal Arifin Mochtar & Eddy O.S. Dasar-Dasar Ilmu Hukum. Perpustakaan Nasional: Katalog Dalam Terbitan (KDT), 2021.
Hildebrandt, Mireille. Law for Computer Scientist and Other Folk. Oxford: Oxford University Press, 2020.
Indonesia, Institut Bisnis dan Teknologi. “Dear Anak Desain, Sudah Tahu Belum Perbedaan Typeface Dan Font?,” 2021. https://instiki.ac.id/2021/10/02/dearanak-desain-sudah-tahu-belum-perbedaan-typeface-dan font/.
Karjono. Perjanjian Lisensi: Pengalihan Hak Cipta Program Komputer Transaksi Elektonik. Bandung: PT Alumni, 2012.
Learn, Future. “Text Files and Binary Files,” n.d. https://www.futurelearn.com/info/courses/programming-103data/0/steps/64743#:~:text=Binary files can be used,which is not human readable.
Mahendar, Fahdelika, and Christiana Tri Budhayati. “Konsep Take It or Leave It Dalam Perjanjian Baku Sesuai Dengan Asas Kebebasan Berkontrak.” Jurnal Ilmu Hukum: Alethea 2, no. 2 (2019): 107. https://doi.org/10.24246/alethea.vol2.no2.p97-114.
Margono, Suyud. Aspek Hukum Komersialisasi Aset Intelektual. Jakarta: CV Nuansa Aulia, 2010.
Megflags. “End User License Agreement (EULA): Enterprise License,” n.d.
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Megflags Brand. “Font License,” n.d. https://megflags.co/license.
Mertokusumo, Sudikno. Mengenal Hukum: Suatu Pengantar. Yogyakarta: Liberty, 2007.
Nugroho, Eko Rial, and Wahyu Priyanka. “Perbuatan Melawan Hukum Berupa Pelanggaran Hak Cipta Terhadap Pemegang Lisensi Hak Cipta: Studi Putusan Nomor 02/PDT.SUS-HKI/2015/PN/NIAGA.Smg Jo. Putusan Nomor 518 K/Pdt.Sus-HKI/2015 Jo. Putusan Nomor 43 PK/ Pdt.Sus-HKI/2017.” JIPRO: Journal of Intellectual Property 3, no. 2 (2020): 54. https://journal.uii.ac.id/JIPRO/article/view/21117.
Nurusyifa, Dina. “Prinsip Deklaratif Dalam Regulasi Hak Cipta Di Indonesia.” Unes Law Review 6, no. 2 (2023): 6364. https://review- unes.com/law/article/view/1476/1201.
Pasal 1 angka 20 Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta (UU Hak Cipta) (n.d.).
Pasal 1338 Kitab Undang-Undang Hukum Perdata (n.d.).
Porta, Rafael La, Florencio Lopez-de-Silanes, Andrei Shleifer, and Robert W. Vishny. “Investor Protection and Corporate Governance.” Journal of Financial Economics 58 (2007): 9. https://doi.org/10.4324/9780203940136.
Putra, Gilang Rizki Aji. “Manusia Sebagai Subyek Hukum.” Adalah: Buletin Hukum Dan Keadilan 6, no. 1 (2022): 32. https://doi.org/10.15408/adalah.v6i1.26053.
Rahardjo, Satjipto. Ilmu Hukum. Bandung: Citra Aditya Bakti, 2000.
Refont. “AI Font Generator,” n.d. https://refont.ai.
Rustan, Surianto. “Lisensi Font Untuk Logo,” 2024. https://www.instagram.com/reel/C_Ng0irSpow/?igsh=MWN5Y2Qwejk3bD Nkcw==.
———. TIPO 2023: Buku 1. Lampung Selatan: ITERA Press, 2023.
S., Fahrenno A. & Bayu. “Jenis Font Secara Umum Dalam Praktik.” 2025.
Sanusi, Achmad. Pengantar Ilmu Hukum Dan Pengantar Tata Hukum Indonesia. Bandung: Trasto, 1977.
Sardjono, Agus. “Sifat Hukum Hak Cipta Sebagai Kebendaan Sui Generis.” Technology and Economics Law Journal 1, no. 2 (2022): 127. https://doi.org/10.21143/telj.vol1.no2.1009.
Short, Jodi L., and Michael W. Toffel. “Making Self-Regulation More than Merely Symbolic: The Critical Role of the Legal Environment.” Administrative Science Quarterly 55, no. 3 (2010): 367. https://doi.org/10.2189/asqu.2010.55.3.361.
Sinaga, Edward James. “Pengelolaan Royalti Atas Pengumuman Karya Cipta Lagu Dan/Atau Musik (Royalty on the Management of Copyright Songs and Music).” Jurnal Ilmiah Kebijakan Hukum 14, no. 3 (2020): 555. https://www.researchgate.net/publication/347303616_Pengelolaan_Royalti_at as_Pengumuman_Karya_Cipta_Lagu_danatau_Musik
SIP Law Firm. “Aspek Hukum Dalam Transaksi E-Commerce,” 2023. https://siplawfirm.id/aspek-hukum-dalam-transaksi-e-commerce/?lang=id#.
Soekanto, Soerjono. Pengantar Penelitian Hukum. Jakarta: UI Press, 2007.
Strals, Bruce Willen & Nolen. Lettering & Type: Creating Letters & Designing Typefaces. New York: Princeton Architectural Press, 2009.
Subekti. Aneka Perjanjian. Bandung: PT Citra Aditya Bakti, 2014.
The Law Dictionary. “Software,” n.d. https://thelawdictionary.org/software/.
Triantoro, R. Adhitya Nugraha, and Hernawan Hadi. “Perlindungan Hukum Bagi Pemegang Lisensi Hak Cipta Menurut Undang-Undang Nomor 28 Tahun 2014 Tentang Hak Cipta (Studi Putusan Nomor: 09/HKI.Hak Cipta/2014/PN Niaga Jo Putusan M.A Nomor: 80 K/Pdt.Sus-Hki/2016).” Jurnal Privat Law 7, no. 2 (2019): 266. https://doi.org/10.20961/privat.v7i2.39335.
University, Binus. “Software: Pengertian, Fungsi, Ciri-Ciri, Dan Contohnya,” n.d. https://binus.ac.id/malang/2024/08/software-pengertian-fungsi-ciri-ciri-dancontohnya/#:~:text=Pengertian software atau perangkat lunak,data yang dimasukkan ke dalamnya.
Wiseman, Daniel E. Walters & Hannah J. “Self-Regulation In Emerging And Innovative Industries” 62, no. 3 (2025): 546. https://houstonlawreview.org/article/129432-self-regulation-in-emerging-andinnovative-industries.
