Article Sidebar
Submitted
April 10, 2009
Accepted
May 26, 2009
Published
June 30, 2009
Download
Statistic
Read Counter :
658
Download : 700
Main Article Content
Abstract
This article discusses a movie by Gurindher Chandha's Bride and Prejudice which is an adaptation of Jane Austen's Pride and Prejudice. The movie, despite being a mainstream one, contains critiques about patriarchy in Indian society and is against Western's orientalist notion about India. For these reasons, this article is trying to unfold how feminism and orientalism are presented in the movie.
Keywords
feminism
patriarchy
India
orientalism
Article Details
License
Copyright (c) 2016 JEE, Journal of English and Education
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
Astuti, I. W. (2009). The Feminist and Orientalist Perspective in Gurindher Chadha’s Bride and Prejudice. Journal of English and Education (JEE), 3(1), 63–75. https://doi.org/10.20885/jee.v3i1.6483